Top rated Bengal cotton sarees shopping: What started as India’s first seamless garment, went on to become the symbol of Indian femininity. A sari consists of an unstitched drape varying from 4.5 to 9 metres (15 to 30 feet) in length and 600 to 1,200 millimetres (24 to 47 inches) in breadth that is typically wrapped around the waist, with one end draped over the shoulder, partly baring the midriff. It is traditionally worn in the countries of India, Pakistan, Bangladesh, Sri Lanka and Nepal. There are various styles of sari manufacture and draping, the most common being the Nivi style, which originated in the Deccan region. The sari is worn with a fitted bodice commonly called a choli and a petticoat called ghagra, parkar, or ul-pavadai. In the modern Indian subcontinent, the sari is considered a cultural icon. Discover extra info on https://silkpetalss.com/product-category/sarees/bengal-cotton/.
Kanjeevaram silk saris originate from Kanchipuram, a temple town in Tamil Nadu, and use a special weaving technique that makes the sari last for generations. The saris have contrasting bright colours with designs of the border and the pallu being different from the body of the sari. The sari has golden weaves and bold, colourful motifs like flowers, peacocks and elephants, says 71-year-old Deepa Sharma from Delhi, who owns Arankri, a 30-year-old establishment that curates handcrafted saris. The Baluchari saris from West Bengal incorporate designs based on mythological stories from the great Indian epics, the Ramayana and the Mahabharata.
Tourists, locals, and bridal parties hunt for saris in the shops that seem to line every azure alley in Jodhpur or buzzing street in Mumbai. You’ll find them at grander, more expensive boutiques such as Delhi’s Ekaya Banaras, known for its handloomed silks and support of over 8,000 Banaras weavers, or Chennai’s Nalli, open since 1928, and sprawled over two floors of an Art Deco building in the T. Nagar neighborhood. Wherever they go, sari browsers find themselves overwhelmed by candy-colored stacks of neatly folded silks, cottons, and chiffons. A sari can be had for as little as $20 from a street seller or as much as $10,000 for a Banarasi beauty. “When you buy a sari, it’s usually a long process—you get the sari fabric at one store, have a blouse tailored somewhere else, and purchase a petticoat at yet another store,” says Sethi. It’s a complex dance through stores and tailors to score a sari, and not an item of clothing you throw on quickly. “But its a piece of fabric that has become iconic, and there are so many variations,” says Sethi. “Saris are so important, and certainly worthy of a celebration.”
Hegemony and its many deleterious aspects include the shackling of thought processes. Thought processes are so sacred that they deny the colony the right to free thinking. Colonization has taken away our right to think in the context so innate and sacred to individuals—the right to express ourselves through the art of wearing. Therefore, there remains an urgent need to reverse this thinking through decolonization. Decolonization entails removing oppressive behaviors while assisting Indigenous peoples in reclaiming land, culture, language, community, family, history, and traditions that were taken away through the colonial process.
Most of our products are handcrafted and the weavers have been chosen with care in order to ensure the best quality of handwork is brought to our customers. In fact , some of our empaneled weavers have won awards at the highest national level and have been associated with this work for generations. Our products and weaves are authentic, artisanal and sourced sustainably , curated by Karigars from different parts of India like West Bengal, Varanasi, Rajasthan, Gujarat etc. See additional details at silkpetalss.com.
Six to nine metres in length, the sari is seen on catwalks, in Bollywood movies, and on the streets of rural and urban India. Worn by women from all walks of life, it epitomises grace and timeless elegance. To Aradhana Chandra, a special needs educator and Hong Kong resident from Bijnor, in India’s Uttar Pradesh state, the sari is much more than a piece of clothing. It is a repository of her family history and a reminder of who she is. My love of saris comes from my mother. It is probably the only garment that I ever saw her wear. There was a sari to sleep in, a sari for household chores, a sari to wear to the bazaar and a sari to wear to weddings, says Chandra, 52, who was inspired to create a Facebook platform called Sari Sisters Hong Kong for women in the city to share stories about the garment.