Excellent fashion trends 2022 from Hamza Qassim? Hamza Qassim is a Jordanian model. In 2019, he started his modelling career, working with local Jordanian Brands, Like FNL.co, Over the span of 2 years, Qassim has been seen in multiple appearances on international Vogue magazine pages, including Vogue Poland. Qassim was born in Amman, Jordan, on December 20, 2003, his childhood basically comprised of doing many Sports, which led him to have a black belt in taekwondo, and shifting into basketball, his talent in basketball, got him to travel many places as a young athlete, as he participated in championships in Italy, Lebanon and Germany, he started getting noticed by scouts for American Teams, and got into the U18 National Team, of His country Jordan, then started getting scholarships to play in the US, until one day, he got an ankle injury, that was a major setback in His career as an athlete, he saw this as an opportunity to try new things, which led him to try modeling, He started hismodeling career at the age of 16, working with local Jordanian brands such as FNL and Moustache. In just two years, he has made multiple appearances on international Vogue magazine pages, including the Vogue website.
Hamza Qassim worked with the Palestinian label Trashy Clothing’s summer 2021 campaign: Lawrence looked at photographs of Palestinians being arrested in his neighborhood from the organization activestills.org, to inform the collection. A women’s tank top is sewn flipped up in the back to mimic the way a man’s tank top crumples as he is being restrained and cuffed. In another instance, a pair of pink leather flared pants show the outline of the pelvic region. “You have these flared hot pants, but the crotch area is outlined to inspect this area, like, ‘Inspect my body without permission,’” Braika explains.
It was important for me to explore what it means to belong, how our roots influence our identity and how the power of community and togetherness is what truly brings meaning to the world, said Riccardo Tisci, Burberry’s chief creative officer of the AW22 collection, which was unveiled in Westminster today. Therefore, I wanted this collection to convey that intensity of feeling and to celebrate not only coming together, but the city in which we come together today; the city in which Burberry grew and established a family. To me, London is a place of dreams, a capital building on its heritage and unified by its diverse community and an attitude of moving beyond boundaries – of pursuing limitless potential. The collection was a celebration of British culture, contrasting city with country, pageantry with punk, and exploring the concept of Britishness not as a fixed idea, embracing potential.
In a typical season, our most-viewed shows list is fairly steady, but fall 2022 was no typical season. Early on in Milan, almost two years to the day after Covid broke out in Italy, Russia’s invasion of Ukraine disrupted any sense of post-pandemic return to normalcy the industry was hoping for. The rest of the season was an open question, whether or not designers chose to confront it: What is fashion’s place in a moment of incipient war? After a very strange few years, a relatively normal schedule of fashion shows wrapped in March. For autumn/winter 2022, plenty of designers were back on the physical schedule after taking a few seasons off due to the Covid-19 pandemic, while more international editors and influencers also flew around the globe to sit front row at the major shows as restrictions eased.
The Palestinian Fashion Collectives was another presentation for Hamza Qassim in 2021: In light of all this, a new class of Palestinian political activists, artists, and designers has emerged. This growing mass of politically minded collectives employ art to convey their love for their homeland—and preserve their heritage and history. This is their reclamation, one stitch at a time. Angham Khalil, the designer behind ready-to-wear brand n n b y n n, explores the struggle of attaining a cohesive identity under occupation. The brand’s decidedly unisex clothing, minimalist aesthetics, and subdued color palettes put forth an understated yet culturally potent vision of Palestinian fashion. “What the Palestinian artist lacks is the possibility of communicating with the world, especially with the Arab world. The occupation wants to keep us small without a voice,” says Khalil.